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July 11, 2019

Postcards From Europe – Part 2

After a short break, the Oils resumed their European tour in Paris – the City Of Light. Rob pulled extra duties on the night prior to the gig by conducting a question and answer session for hardcore fans alongside an all too rare screening of the fantastic documentary film  “1984”. That event and the following evening’s show were both conducted in different parts of the famous Grand Rex complex – an art deco picture palace built in the early 1930s by the guy who introduced Charlie Chaplin to France.

Europe’s severe summer heat has been causing all sorts of chaos over recent weeks (www.theguardian.com/world/2019/jun/28/france-on-red-alert-as-heatwave-forecast-to-reach-record-45c). So with temperatures around 38 degrees celsius (100 degrees Fahrenheit), this show was literally a scorcher – particularly for those seated on the top balcony where the roof was dripping condensation by the end of the night. Appropriately enough the band played “Wedding Cake Island” in mid-show presumably because the conditions felt more like a hot January night in Coogee than late June in the 2nd Arrondissement.

France (and Paris in particular) has always felt like a second home for Midnight Oil so both the Grand Rex gig and the following night’s festival in nearby Tilloloy saw particularly fervent crowds and Rob busting out his solid local language skills. The outdoor gig featured two songs getting their first airings this year – “Shakers & Movers” (from Blue Sky Mining) and “Under The Overpass” (from Capricornia). European summer events like this often feature eclectic lineups that are uncommon elsewhere but even by those standards this evening was a particularly entertaining mixed bag. 60’s pop legends The Zombies and French alt-world music combo Les Negress Vertes played before the Oils with rockabilly icons The Stray Cats co-headlining at the end of the night.

From there it was on to Munich – another key city who didn’t get a show in 2017. In fact as far as memories can be trusted the band may not have actually played in the city since 1993 which may explain why they gave the locals such an extended show. After 18 songs in the main set the encore opened with a rare performance of the 10-1 epic “Tin Legs And Tin Mines” and stretched out for four more songs including a spontaneous addition of “Put Down That Weapon” stretching the evening well past the two hour mark to make it probably the longest show of the tour so far.

Another balmy summer evening in a local park followed as the band took the train to Stuttgart. Rail travel has been a behind the scene’s highlight for the band on much of this tour and has worked well apart from one ‘train in vain’ which saw them heading east instead of west for a while before the mistake thankfully got picked up. In addition to these efforts to reduce their carbon footprint, they’re also channelling funds from the tour into a project called FEAT (https://www.theguardian.com/environment/2019/jun/04/theres-no-reason-why-this-couldnt-go-global-australian-music-industry-invests-in-solar-farms). Not that any of that was top of mind for the Stuttgart fans who experienced a punchy show that ranked up there with the strongest on the tour so far.

Zottegem was another ‘all sorts’ lineup and the festival constraints meant the Oils could only barrel through about 15 songs in their allotted time. Mind you the band nearly didn’t make it to the show at all having woken up to discover that the famous Tour De France cycling race was starting virtually in front of their hotel! It actually might have been quicker for them to have donned some lycra and ridden out to the gig rather than driving through all the traffic but thankfully they made it through eventually. Perhaps including “King Of The Mountain” early in the set was a sly nod to those competing for the yellow jersey over coming days.

Back to back shows meant it was on to Mainz for a longer workout. Set within sight of the city’s historic citadel which dates from 1660, for this next stop we now pass the pen to Jim Moginie for a first hand report.

From the hipster hotel in Frankfurt, where supermodels gathered behind the reception desk and looked up quizzically from their iPads when we asked for room keys, and then back to their iPads: where manscaped twenty somethings had jobs asking if we’d like botanical water or a taxi or both, we headed out to Mainz to play. 

Mainz was founded by the Romans in the 1st Century BC during the Classical antiquity era, serving as a military fortress on the northernmost frontier of the Roman Empire and as the provincial capital of Germania Superior. Johannes Gutenberg, inventor of the printing press, lived there in the 1400’s. We played at the historic Mainzer Zitadelle (Citadel of ), situated at the fringe of Mainz Old Town, constructed in 1660. The gig was at a park within the grounds, playing to about 3000 people on a beautiful afternoon, amongst trees and historic buildings and a real German pretzel stand, very close to the stage actually..

We have been compiling an intro tape as a playlist on Spotify, something to do on all the trains we have been on criss crossing sweltering Europe. It’s of the great protest songs written over the decades, ones from our childhood and today. They say modern music is all nursery rhymes and auto tune but it isn’t true. It’s a tradition that should be celebrated, send suggestions for more, check it out here. 

 

Saint-Julien-en-Genevois and Gelsenkirchen are still to come but it’s already been a truly memorable tour for band and audiences alike. Once these two final European shows are behind them the Oils will travel around the world and into the Australian outback for one more gig at a place without a postcard … The Big Red Bash.”

 


Grand Rex, Paris, France 26/6

 


Photo: Christabel Blackman

Grand Rex, Paris, France 27/6

 


Grand Rex, Paris, France 27/6

 


Grand Rex, Paris, France 27/6

 


Photo: Lesley Holland

Grand Rex, Paris, France 27/6

 


Photo: Gwen Jouan

Grand Rex, Paris, France 27/6

 


Grand Rex, Paris, France 27/6

 


Photo: Alex Grant

Festival Retro C Trop, Tilloloy, France 29/6

 


Photo: Alex Grant

Festival Retro C Trop, Tilloloy, France 29/6

 


Photo: Christabel Blackman

Tollwood Festival, Munich, Germany 1/7

 


Photo: Alex Grant

Tollwood Festival, Munich, Germany 1/7

 


Photo: Bill Carter

Tollwood Festival | Munich, Germany 1/7

 


Photo: Alex Grant

Killesberg, Stuttgart, Germany 3/7

 


Photo: Alex Grant

Killesberg, Stuttgart, Germany 3/7

 


Photo: Christabel Blackman

Rock Zottegem, Zottegem, Belgium 5/7

 


Photo: Christabel Blackman

Rock Zottegem, Zottegem, Belgium 5/7

 


Photo: Christabel Blackman

Rock Zottegem, Zottegem, Belgium 5/7

 


Photo: Alex Grant

Zitadelle, Mainz, Germany 6/7

 


Photo: Christabel Blackman

Zitadelle, Mainz, Germany 6/7

 


Photo: Lesley Holland

Les Nuits De Fourviere Festival, Lyon, France 9/7

June 26, 2019

Postcards From Europe – Part 1

The first week of European shows wrapped up on Saturday night at Hinwil’s “Rock The Ring” after starting the previous weekend with another festival performance at Festi’neuch in Neuchatel. These sorts of sets usually need to be shorter than a headlining show due to the time constraints of multi-band lineups. This means there’s typically less scope for obscure song choices but there was still plenty of room for surprises. One highlight of the two events was punk rock icon Patti Smith performing “Beds Are Burning” on the same festival stage that the Oils would soon grace. Smith has performed the song a lot over recent years (eg: https://www.youtube.com/watch?v=4uVqbGeCS1Y) but people were still buzzing about her epic version when the band arrived on site.

The German shows that were bookended between these two festivals allowed Midnight Oil to stretch their legs a lot more. 37 different songs were performed across these three gigs including new tune “Tarkine” and the first airing since 2002 of “Time To Heal” from the band’s often overlooked mid-90’s album, Breathe. Germany is actually one of the main reasons for deciding to return to Europe this summer. That country was a huge supporter of the band back in the day but only two cities were included on 2017’s Great Circle Tour so there were lots of places that missed out. Thankfully passionate crowds embraced Midnight Oil’s delayed return and a series of contrasting venues made each of these nights feel unique.

Hamburg’s gig took place in local parklands with the pre-sunset kickoff giving proceedings almost a picnic vibe for the early part of the day although of course things heated up as the sun went down. By contrast, Trier’s show was staged in the city square in front of ancient Roman Gates which date back to the year 170 (https://en.wikipedia.org/wiki/Porta_Nigra) so pulses were elevated from the outset. It’s not every day that a concert takes place at a UNESCO’s World Heritage Listed site! Then for a sweatier rock show, it was on to Mannheim for a performance under a huge circus tent. Special guest for these shows was local singer/songwriter and agitator Wolf Maahn (https://www.wolfmaahn.de/blog/) who interrupted recording of a new album to join the German dates. His strong commitment to sustainability and social justice make him a good fit for Midnight Oil and their audience.

The band will now take a few days off as they make their way to Paris for a big show at The Rex on Thursday night. On the evening prior to that performance, the venue will host a rare European screening of the acclaimed Midnight Oil documentary “1984” and Rob Hirst will take part in a question and answer session. Tickets are selling fast via https://www.legrandrex.com/cinema/2558

Speaking of tickets, travel packages for The Big Red Bash will be closing soon so if you want to see the Oils perform in front of a gigantic sand dune at the World’s Most Remote Music Festival you’ll need to get moving. All the info is here – http://www.bigredbash.com.au/bigredbash/big-red-bash-travel-packages.


Photo: Francois Melillo

Festi’neuch Neuchâtel Openair Festival, Neuchâtel, Switzerland 15/6

 


Photo: Christabel Blackman

Festi’neuch Neuchâtel Openair Festival, Neuchâtel, Switzerland 15/6

 


Photo: Christabel Blackman

Festi’neuch Neuchâtel Openair Festival, Neuchâtel, Switzerland 15/6

 


Photo: Christabel Blackman

Festi’neuch Neuchâtel Openair Festival, Neuchâtel, Switzerland 15/6

 

Hamburg, Germany 17/6

 

Stadtpark, Hamburg, Germany 17/6

 

Porta Nigra, Trier, Germany 19/6

 

Porta Nigra, Trier, Germany 19/6

 


Photo: Christabel Blackman

Porta Nigra, Trier, Germany 19/6

 


Photo: Christabel Blackman

Porta Nigra, Trier, Germany 19/6

 

Porta Nigra, Trier, Germany 19/6

 

Photo: Alex Grant

Mannheim, Germany 21/6

 


Photo: Christabel Blackman

Zeltfestival, Mannheim, Germany 21/6

 


Photo: Christabel Blackman

Zeltfestival, Mannheim, Germany 21/6

 


Photo: Alex Grant

Zeltfestival, Mannheim, Germany 21/6

 


Photo: Alex Grant

Rock The Ring, Hinwil, Switzerland 22/6

 

Photo: Christabel Blackman

Rock The Ring, Hinwil, Switzerland 22/6

June 17, 2019

POSTCARDS FROM ENGLAND AND IRELAND

It’s been a quarter of a century since the Oils played Manchester in England’s north, so it was an apt first stop for a European tour that will mainly visit cities which missed out on shows during 2017’s Great Circle. As Pete remarked from stage, Mancunians have a proud local musical heritage – from Factory Records and the Hacienda through to Oasis – but accents in the crowd tonight also included many folks from further afield. Australian expats and visitors were joined by American, Canadian and Scandinavian fans who had flown in specially for the first three tour dates. There was even a particularly keen fan from PNG.

Aussie French Open tennis winner Ash Barty got a shoutout from the stage while show standouts included ‘Jimmy Sharman’s Boxers’ and ‘Hercules’.

Second stop was Dublin for a show at the legendary Olympia Theatre. This was another piece of ‘unfinished business’ from 2017 when the band made several fruitless attempts to somehow squeeze Ireland into The Great Circle Tour. Fortunately tonight’s overdue gig made it a worthwhile wait for local Oils fans.

Jim Moginie makes Ireland his second home these days, so that made this – kinda, sorta – a hometown gig. The special guest was talented local mate Declan O’Rourke who was joined for the closing song of his set by Jim and fellow local ‘transplant’ Nick Seymour from Crowded House.

The Oils opened their show with ‘The Dead Heart’, tore straight into a searing cover of The Saints’ ‘Know Your Product’ and then gave fan favourite ‘Say Your Prayers’ an all too rare airing. Clearly they meant business and what unfolded from there won’t be forgotten any time soon by those lucky enough to have experienced it. This venue has seen some epic shows over the years – it would be easier to list music icons who HAVEN’T played there than those who have – and the walls plastered with famous photos all added to the sense of occasion. After promising to reverse the country’s immigration story for one night, rare song inclusions included a reworked ‘Spirit Of The Age’ and a celebratory ‘Written In The Heart’. Apart from one full and frank description of prospective UK PM Boris Johnson, the focus was totally on music and spirit and the special sense of community it can conjure in a place like this. Midnight Oil’s all too brief visit to Ireland closed with an uplifting song that now took on new meanings for many … ‘One Country’.

The final show before hitting continental Europe was staged at the cavernous Brixton Academy two nights later. Young Adelaide band Bad//Dreems put a rocket under the crowd to start proceedings before the Oils delivered a show that included extra songs from the two albums they recorded in England back in the day, including ‘I Don’t Wanna Be The One’ and multiples from ’10-1′. Politics returned to center stage as Tory leadership turmoil dominated both the local news and Pete’s stage banter. What do King Canute and Ricky Gervais have in common? You had to be there to find out.  So with a loud “let it burn!!” still ringing in everyone’s ears, the Oils now cross the channel for the next chapter.

 

O2 Apollo, Manchester 9/6

 

O2 Apollo, Manchester 9/6

 

 

O2 Apollo, Manchester 9/6

 

O2 Apollo, Manchester 9/6

 

Dublin, Ireland 11/6

 


Photo: Christabel

Nick Seymour, Jim Moginie and Declan O’Rourke – Dublin, Ireland 11/6

 

Dublin, Ireland 11/6

 

Olympia, Dublin 11/6

 

Dublin, Ireland 11/6

Olympia, Dublin 11/6

 

Olympia, Dublin 11/6

 


Photo: Adriano Elisei

Olympia, Dublin 11/6

 

Olympia, Dublin 11/6

 


Photo: Adriano Elisei

Olympia, Dublin 11/6

 


Photo: Adriano Elisei

Olympia, Dublin 11/6

 


Photo: Adriano Elisei

Olympia, Dublin 11/6

 


Photo: Adriano Elisei

Olympia, Dublin 11/6

 

Olympia, Dublin 11/6

 

O2 Brixton Academy, London 13/6

 

O2 Brixton Academy, London 13/6

 

O2 Brixton Academy, London 13/6

 

O2 Brixton Academy, London 13/6